<[translate:Baramulla]> offers a bold commentary on Kashmir's socio-political unrest. <[translate:Manav Kaul and Bhasha Sumbli]> deliver a nuanced and compelling portrayal, supporting the film's complex narrative with remarkable skill.
When depicting distinct environments and their tragedies, does an insider's perspective help achieve authenticity? Or can any filmmaker tell such stories regardless of their background? Personal history and identity contribute to portraying objectivity, a quality Evident in <[translate:Aditya Dhar’s Baramulla]>. His voice as a Kashmiri Pandit resonates deeply in this gut-wrenching and mythical tale.
In 2016, the director-producer wrote a short story about the Kashmiri Pandit community forced to flee during the 1990s exodus. This story has now been adapted for the screen with the human narrative shaped by <[translate:Aditya Suhas Jambhale]'s vision. The film is infused with supernatural elements.
Set in 2016, the story focuses on DSP Ridwaan Shafi Sayyed and his family, who recently relocated to Baramulla from Reasi. After a hostage incident and accidental shooting at a school in Reasi, both Ridwaan and his daughter Noorie struggle with PTSD. Now in Baramulla, Ridwaan investigates the disappearance of Shoaib, a child lost during a magic show.
"His voice as a Kashmiri Pandit finds an echo in this tale that’s gut-wrenching, spine-chilling and mythical in equal measures."
Author’s summary: Baramulla skillfully blends personal history with political horror, creating a powerful and atmospheric portrayal of Kashmir’s unresolved trauma.
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