'Othello' review — David Harewood's hotheaded general has a wonderfully wicked scene partner in Toby Jones | London Theatre

‘Othello’ Review — David Harewood and Toby Jones Shine in Tom Morris’s Intense Revival

Shakespeare’s tragedy Othello, directed by Tom Morris, is currently playing at the Theatre Royal Haymarket until 17 January 2026. The production brings a fierce yet insightful take on the Moorish general’s downfall, led by David Harewood and Toby Jones.

Harewood’s Return as Othello

Almost three decades have passed since David Harewood first made history as the National Theatre’s first Black Othello. Now, he returns to the role with greater nuance and restraint, portraying a commander whose composure gradually crumbles under the weight of deception.

Harewood once described his 1997 performance as “balling and screaming” with rage, reacting to Desdemona’s alleged betrayal and his lieutenant’s deceit as any impassioned young man might.

In this new production, years of experience temper his fury. At first, his Othello exudes calm authority, but as Iago’s manipulations deepen, that composure corrodes into jealous frenzy and blind fury.

A Wickedly Sharp Partnership

Toby Jones, as Iago, balances Harewood’s intensity with sly precision, embodying the calculating cruelty that drives the tragedy. Their scenes together are electric—two masterful performers pulling each other into a psychological duel that feels both timeless and raw.

The result is a Shakespearean revival that explores pride, manipulation, and vulnerability with contemporary force.

Performance Details

Author’s Summary: This modern Othello at the Theatre Royal Haymarket pairs Harewood’s fiery depth with Jones’s chilling poise, resulting in a bold and haunting reimagining of Shakespeare’s classic tragedy.

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