Tom Morris’s production of Othello at the Theatre Royal Haymarket, featuring David Harewood as Othello and Toby Jones as Iago, captivates the audience but leads them to sympathize with the wrong character.
The set, designed by Ti Green, includes twisting arches suspended above the stage and mesh screens projecting eerie images that reflect Othello’s inner turmoil. The swift pacing keeps the nearly three-hour performance engaging, which is uncommon for Shakespearean plays.
Toby Jones, famous nationwide for his role in Mr Bates vs The Post Office, shines as Iago. His direct addresses to the audience, revealing his plan to destroy lives simply for pleasure, both entertain and engage:
His asides to the audience outlining his plan to ruin other people’s lives for the hell of it captivate and delight.
Jones's portrayal of Iago’s manipulation of Othello into believing Desdemona’s infidelity and driving him to murder is compelling and skillful.
Despite the brilliance in entertainment and performance, the production falls short in truly conveying evil’s dark force. The tragedy’s weight is diluted because the malevolence at its center isn’t fully realized.
While visually stunning and expertly acted, this production of Othello sacrifices the tragic depth of evil, leading viewers to side with characters in unintended ways.
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